Project Summary: Sight-Reading for Guitar: The Keep Going Method Book and Video Series


  • administrators

    BASIC INFORMATION

    Title: Sight-Reading for Guitar: The Keep Going Method Book and Video Series
    Lead Author: Chelsea C. Green (American University in Cairo) / @cgreen
    Rebus Project Manager: Zoe Wake Hyde / @zoe
    License: CC-BY
    Target Audience: Individual guitarists, music teachers and their students
    Subject: Music / Guitar Performance
    Target Release Date: Winter 2018

    BOOK DESCRIPTION
    Sight-Reading for Guitar: The Keep Going Method Book and Video Series teaches guitar players from all musical backgrounds to understand, read and play modern staff notation in real-time. The Keep Going Method is designed to impart the knowledge, skills and attitudes needed for sight-reading with efficiency, fun and encouragement. The skill of sight-reading is difficult to develop, primarily because it is traditionally taught inefficiently, which this book seeks to address. Further, students encounter high levels of emotional discomfort in the beginning stages of skill acquisition. All types of guitars apply: electric, steel-string and nylon-string.

    Each unit contains brief descriptions of musical symbols, play-along duet exercises and compositions, encouragement for the learner and methods for self-assessment. The series contains 20 units that start at the beginner level and progress to the intermediate/advanced level. At the completion of the series guitarists will be able to sight-read most rhythms, pitches and other notations relevant to guitar notation. The series also features 30 original duet compositions, of varying styles, created exclusively for this series!

    See the full project summary.

    HOW TO PARTICIPATE
    The content for this book is currently underway, with the first units expecting to be available for review towards the end of July.

    Once the content is ready to go, we’ll need help with:

    • Peer review & other feedback
    • Formatting in Pressbooks
    • Accessibility checks
    • Promotion and adoptions

    If you might be interested in helping with any of these tasks down the road, please comment below and we will be in touch when the time comes!

    RECOGNITION FOR CONTRIBUTORS
    This project couldn’t happen without your participation. All contributing authors will be credited prominently in their chapter, the book, the metadata and promotional materials. All editors, reviewers and other contributors will also be credited.

    RELEVANT RESOURCES

    Related research:

    TWEET THIS PROJECT

    Want to help create an #opentextbook that teaches sight reading for guitar? Find out how to contribute here: http://bit.ly/sightreadingguitar

    CURRENT PROJECT TEAM
    @cgreen, @zoe, @apurva, @bali, @n-aboulmagd, @zorkani … and you?



  • Any restrictions on who can contribute? Would you be interested in participation from those who know what they’re doing, but aren’t academics?


  • administrators

    Thanks, Steve! I think Chelsea is best to answer this – @cgreen, what are your thoughts on @stevefoerster’s question?



  • Hi Steve:

    Thanks for the interest. Yes, non-academics who know what they are doing are most appreciated. I read that you are a tenor. Fantastic! I would especially appreciate feedback from someone who does not know how to sight-read for guitar and is willing to try the method. Soon I will post information and scores relating to Units 1-3.

    Regarding the content, I would appreciate feedback on a few fronts (listed below). If any of them interest you, please contribute.

    • What is the best pedagogical approach to creating and organizing the exercises? I will post a few scholarly articles about the best approaches to develop sight-reading. I am trying to incorporate the newest science with my life’s experience when designing the musical exercises. Some questions that may bear answering: Are there enough exercises per unit? Do they flow well from one to another? Is it effective to break the exercises in to the three groups: rhythms alone, pattern pattern recognition (chunking), and cumulative music?

    • How can we best utilize technology to enhance, not detract from, developing sight-reading skills? For example, studies show that the eyes of good sight-readers focus on music that is approx. 1 second ahead of the pitches that their bodies are producing. This is referred to as the eye-hand span. I’m concerned that if the scores are scrolled in a video, it may preclude the eye from moving forward naturally. Ideas?

    • What are some useful methods for self-evaluation? I will not be able to evaluate the students and will have to give them criterion for self-evaluation. At this point, I recommend that if the student has played between 60-70% of the pitches and rhythms accurately and without stopping, they are ready to move to the next unit. I don’t have a scientific basis for this. Do these percentages seem correct? Is their another way to gauge that may not involve percentages?


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